This is the End

I wrote a film.  A short film, to be more specific.  I wrote it in 2009, and then fretted about helming it as a producer and director because the most I had taken on at that point was a 5 minute short film with 3 locations and 4 actors.  This film was 30 minutes long, had 9 characters and many extras, as well as 4 locations that couldn’t be contrived from my living room.  I spoke with countless others, trying to talk myself into it, trying to see if I was capable of such a task.  In the end, I bit the bullet, held a casting call and put a notice out for a 15 man crew.  I set the shoot dates for 4 days in June in 2010.

Everything came together.  I had a DP who brought a RED camera on board, I was able to have Albertsons donate food for our crew and set, and I got product placement with a pizza company who provided our lunch everyday.  My cast was solid and I dove headfirst into an enormously stressful, but incredible 4 days. I had no idea what I was doing.

Then I moved to LA.  I had a friend editing it, but he ran out of time, so I gave it to another editor.  I don’t remember what happened with that one.  Then it went to another.  And another.  Each of them fell through after working with them for several months.  They’d just go off the radar.  Eventually, I got my footage back and decided to do the damn thing myself.  I invested in Adobe Creative Suite and watched/read endless tutorials so I could edit the film.  I got a new computer and monitor in order to work with 4k footage.  Then I went about editing the sound.  This was much harder to do.  I had an incredibly steep learning curve, but after a few months, it was done.  3 months ago, I began color correcting Priscilla, my 30 minute British comedy.  This part was easier than I anticipated, and yesterday, at 5pm, I color graded the very last frame of this film that I have been sitting with for 7 years.

7 years.  I feel a little lost without the phrase “I should be working on Priscilla” hanging from my every spare moment.  I have invested years in this project and to no longer be working on it is exciting, but also jarring.  What am I without this film?  Hopefully I will be the producer/writer/director showing it at film festivals come 2018.  But I’ll also be the novel writer- I began writing a book 2 weeks ago.  With this film done, I can devote my energies towards it.  I’ll also be a script writer- I began one 5 months ago that I’d love to pick up.  This time, I think I’ll try my hand at a feature length film.  But for now, in this moment, I’m going to savor the feeling of completion.  Of seeing something out over the longhaul.  Sticking to it, and never giving up.  That’s worthy of celebration.

No strings attached

I auditioned for Wicked today.  When I saw the open call, my heart skipped a beat because I knew I would never get to audition for this through any other method.  It also sank as I began to realize that the chances of them casting anyone for this hugely popular BROADWAY musical through an open call were slim to none.  If it hadn’t been posted through playbill and elsewhere, I honestly would’ve assumed it was a publicity stunt, like when I auditioned for Spiderman:Turn off the Dark.

I began my song selection and began making plans to attend.  First, I thought about the character, and songs that would speak to her type.  Then I thought of songs that showcased my belting range.  I selected a song I love from a show I did a few years back.  I never use any of the music from this show for auditions, because the average accompanist will fumble all the way through the 16 bars and I will be a disjointed mess by the end.  It’s incredibly difficult music to play.  However, I decided that since there was 0.0000000000012 chance that they were going to actually call me back for this, I should do a song I want to do, not something I think is right for them.

I did a voice lesson yesterday to prepare and made acting choices that I thought brought the comedy out of this song, and I felt ready.  When I arrived at exactly the time they said sign ups begin (and NO ONE was to come any earlier!) there was already a line wrapped around the corner.  Fortunately, I found free parking across the street and shuffled to the line with my bag full of snacks, water, nom jiom pei pa koa, and a camp chair.  When numbers were passed out, I was #168.  Holding that paper felt like the golden ticket to the Chocolate Factory.  I was in.  I would for sure be auditioning for Wicked today!

I made some comments to the guy and girl in front of me about the impossibility of them casting from an open call and they seemed deflated, saying that there’s always a chance!  I wanted to logically explain to them why it would not work, but then I realized I’m an asshole and should shut my cynical mouth.  By the time I reached the studio I was sure my vocal warmups were irrelevant by now, so I stepped into a dance studio and began pacing, warming up, and stepping outside to sing my 16 bars.  My high notes were still in check and things sounded good.  I continued this for another hour or so until my group was called.

We were told not to waste any time, just say hello, and give the tempo to the accompanist.  So what did I do?  I made an insipid joke and then proceeded to tell the CD that he looked familiar, and did he cast Spiderman??  Shut up already, Brittany.  The pianist began and the first bar he played was most definitely not the first bar of the song.  I hit the notes right anyways (it helps to be able to sing the song in your sleep) and launched into my performance.  The CD?  Well, he looked up twice, and both times I was staring right at him, acting the crap out of the song to the top of his head.  The pianist?  I was worried he wouldn’t be able to play the music.  He played fine.  But apparently was not aware there was a soft pedal on the piano because the playing was so loud I have huge doubt that the CD was able to hear me belting at the top of my lungs.  I finished, thanked them, and walked out.  I took a moment to breathe outside the room, and when I got to my car I went over it all.

Final analysis?  I’m happy with what I did.  I tore it up regardless of the chances of my getting called back.  I did what I wanted to do, I showed up and I delivered.  That’s all I can do.  Maybe I’ll start auditioning more with no strings attached.  I think I like it.


Angela Duckworth, in her seminal work on Grit, and how it makes us successful, lays out the 4 characteristics she believes defines a gritty person.

  1. They’re interested- Gritty people are passionate, excited and enjoy what they do.
  2. They practice- day after day, hour after hour.
  3. They have purpose- they believe their work matters and is meaningful.
  4. They have hope- they believe their dream is within reach.

You can take her grittiness test here.

I’m a 4.3 out of 5 on the scale.  This doesn’t surprise me.  I think I would out work anyone on anything, even if I didn’t care about the project anymore, just because that’s how my being works.  If you asked any friend of mine who was the most driven, disciplined person they know, I can guarantee I would top that list.  To a fault, for sure.  My tenacity often blinds me to what’s important and smarter work habits.  Often times I get so stuck on what I think is the best way to do something I will work myself ragged doing a 32-step process in order to come to the same result someone else could’ve, but with much less effort.

Hard work doesn’t scare me.  After working for 10 hours in the front yard one day this week on an extensive cleanout of the garden, I felt like a 1920’s cotton farmer- not at all blending in with the manicured, clean, callous-free hands of anyone around me.  While running wiring under the house in our crawl space last week, I was disgusted to see this as I army crawled in the 2 feet of space I had to move around:


Yep.  That’s animal (I hope) bones.  There was a spine, a femur, and other assorted bits of bone.  That I had to crawl over.  <shudder>  But I did it.  It’s dirty, it’s gross, but I did it.  There have been several occasions I texted a pic to my husband of my days adventure in the attic or under the house, or clearing out a 200 pound branch that fell from our tree into the street, often with the caption: Today didn’t go how I planned.

The point of this post is not to praise my inability to be a gentle, polished, lovely lady.  The point is to say, I enjoy it.  The things I do- whether it’s the constant grind of an acting career and people yelling “NO!” or the endless house projects I just have to do and wouldn’t dream of paying someone to- are what make up who I am and the life I’m enjoying.  It’s a process, it’s a non-stop grate, it’s a sweating, dirty, aching, bleeding, crying, despairing, dreaming, exciting, joyful, painful lovely journey.

So when someone asks me why I do what I do- why I put up with agents who tell me to lose weight, or rejection on an hourly basis- or 12 years of solid, exhausting, diligent work and discipline that result in not one single film/tv agent interested in giving me a chance or the opportunity to say one line on a stupid ass CBS show like “I don’t know- He always kept to himself” all I can say is “Because.  Because it is and I am and we are.”  It’s as simple as that.  The work, the grit, the dream, the hope, the process and the journey.  They’re all mine, and I love them, despite their setbacks.  Mine.  It’s me and who I am.  I don’t plan on changing that.



I thumbed through shirt after shirt and rack after rack at TJ Maxx.  Too dark.  Too loose.  Too patterned.  This could work, though it’s not exactly like the pinterest ensemble.  Will my sweat show up on this?  What will everyone else be wearing?  Is it trendy enough?  Too trendy?  Does it accentuate my shoulders or make me look fat?

2 hours, a messy fitting room and endless picture texts to my sister later, I walk out of the store with 3 shirts, a pair of very cheap black boots, and some nail polish.  I feel lonely.  I feel insecure.  I wonder why I just spent all that time in that store, and all the time before it, looking up paired outfits.  Why did I do that?

The answer , if I dig down deep, is self doubt.  I do not feel confident enough in my own abilities for Friday nights’ performance.  So I fritter away my effort on trying to wear the most attractive outfit I can manage so that I might distract the viewers from watching my talent.  Instead, maybe they’ll see a pretty girl and be more lenient with my jokes that don’t land, or the characters that don’t work.

I hate this.  I hate that I feel insecure about my worth as an improv comedian.  I hate that a lifetime of being told I’m pretty makes me run to that shortcut when I feel doubtful.  I hate that it’s possible that’s worked in the past.  But, here we are.  I will likely primp and prep and obsess over my outward appearance for far too long on Friday, but I will also warm up, try for a group mind (though that’s difficult to do with a team you’ve practically just met), and put on my confident alter-ego until she convinces me that I belong there.

And I do.  I feel anxious typing the words, but I belong.  I auditioned for this.  People are paying me to do improv, so they must’ve seen something they wanted to invest in.  I’ve come to the rehearsals, I’ve brought what I have to the table.  I’ve taken my craft seriously, and I’ve attempted to make my teammates look good.

That is enough.

I belong.

Getting in shape



I am so pumped to be a part of Live on Fire, Whitefire Theatre’s livestreamed improv show.  We’ll be performing every Friday night in October.  I’ve been to 2 rehearsals so far, and I can say, these are some quality improvisers.  I’ve been on teams with not great improvisers.  It’s a drain.  Being on a team with people who take comedy as seriously as I do is refreshing, and, quite honestly, makes me get my butt in gear to work hard at improving!

The format is short form improv, which is not my forte nor my preference.  I’ve been doing long form for years so it’s been an adjustment to try and retrain my brain for shorter scenes, quicker jokes, faster one liners.  I’ve gotta say, I’m enjoying it!  There’s fun games, the players are great, and I’m just pumping away my comedy squats to get in shape.

As I mentioned before, it is a muscle that has to be kept in shape.  And I am flabby.  But you know how you come back from the gym after a hiatus and it burns and is uncomfortable to lift those 20 lbs, and you get frustrated because you used to be able to lift 40 with no problem?  Then, at the end of the workout, and then the next and the next, you start to feel your muscles responding to the routine and slowly remembering what it felt like and how they’re supposed to act?  It’s like that.  I feel awkward, but not discouraged.  I know I can do this, I just need to get some more reps in.

We’re doing musical improv too, which makes my heart sing.  That’s one area I feel like I can shine, though it’s slightly flabby as well (but not as out of shape as regular short form).  All this to say, I’m getting in shape.  And it feels great.  I can’t wait to see how it turns out and to enjoy the fun journey along the way!



I have an audition for an improv group in an hour.  I’ve had butterflies since I woke up this morning, because, unlike most other types of auditions, I can’t prepare material.  When I can prepare material, I feel confident because I know I put the work in.  With improv?  It’s show up, try to support your partner (who will be a complete stranger) and try to be as loose as possible.  There is no way of knowing if my group will be filled with bad improvisers.  There is no way of knowing if I will be one of those bad improvisers.

I’m also nervous because ever since parting ways with Roadies, my musical improv team, last September, I haven’t improvised.  I have no team, I have no theatre home.  And believe me when I tell you that improvisation needs to be practiced or you will be RUSTY.  I feel like 70 year old galvanized pipe right now.  (In case you don’t get metal references, that would be rusty)

And, honestly, I want to be on stage improvising again.  Not as badly as I want to do a musical, but I like that fear and trepidation that inevitably comes with a blank slate and a suggestion from the audience.  It’s live, it’s changing, and there is a great chance of failure.  Who wouldn’t want to dive in? : )

I’m doing what I can on my end- vocalizing, warming up over the phone with an old teammate, and trying to keep my eyes open to the funny around me- like the plumbing van across the street that says “If your toilet’s acting silly, call Billy”.  Bet he’s regretting that wraparound.  I went to the gym, so my body’s warmed up, so now all I can do is breathe, stay loose and be available to whatever is thrown at me.  Well, that, and always have a secret gun.

The Tactile and Tangible

I was reading Anna Kendrick’s autobiography “Scrappy Little Nobody” last week at Barnes and Noble, and in one chapter, she detailed that for a time in her career, she got very obsessed with baking.  She’d go over to friends houses and mix and pour and bake for hours.  It became a very soothing hobby for her (and one which her friends could enjoy the benefits of!).  She said that being able to do something with her hands that was tangible and useful was very fulfilling as an artist.

I’ve often said the same of woodworking, my hobby.  Acting is extremely creative.  But it can be quite cerebral and you often have little control over the final product.  What you do with acting is very internal and requires the collaboration of many other people in order to become something visible and consumable.  But with the tactile arts- painting, carpentry, baking, quilting, sewing, etc, the output is immediate, and often individual.

For me, being able to be out in the woodshop for hours at a time for several days and see a project through to completion is the culmination of multiple activities that I love: I find something that’s needed in my home, I brainstorm how to make something beautiful and functional, then I design it to fit my exact space.  Next I cut, sand, nail, screw, assemble and finish my project, with problem solving along the way.  Then, like magic, a beautiful piece of art with my fingerprints all over it appears ready for use.  It’s incredibly fulfilling to my creative spirit, and one that eases the burden of the creative soul that resides within me, attempting to burst free, but is unable when the career is in a drought.  I think all actors should have this opportunity to create with their hands.  Find something you enjoy and pour some of that excess creativity into it.  I assure you, you will find a good deal of fulfillment in doing so.

Here are a few of my favorite pieces I’ve made over the years: